"AUDREY BABCOCK STOOD OUT WITH A RADIANT MEZZO-SOPRANO AND A FITTINGLY TART SENSE OF HUMOR."
- THE STAR LEDGER
Audrey Babcock is an award-winning mezzo-soprano who is quickly gaining notoriety for her commanding, powerful performances as Carmen and her dark, hypnotic portrayals of Maddalena in Rigoletto. As Carmen, Ms. Babcock made her French debut with the Festival Lyrique-en-Mer and has performed the role with Florentine Opera, Nashville Opera, Florida Grand Opera, New York City Opera, San Antonio Opera, Knoxville Opera, Opera Delaware, Toledo Opera, Anchorage Opera, Dayton Opera, Fort Worth Opera, Mill City Summer Opera, and Utah Festival Opera where The Salt Lake Tribune wrote “Audrey Babcock's performance as Carmen was a spellbinding tour de force...from the moment she took the stage her self-assured characterization was mesmerizing ...Babcock's caramel-hued mezzo was a pleasure…her supple tones caressed the notes, radiating earthy allure.”
Widely recognized as a choice singer for new works, Ms. Babcock has premiered several new operas including Tobias Picker’s Thérèse Raquin (NY Premiere - Dicapo Opera), With Blood, With Ink (World Premiere - Fort Worth Opera), La Reina (American Lyric Theater, NY and Prototype Festival), The Poe Project (American Lyric Theater), and appeared as Mother in Winter’s Tale with Beth Morrison’s Prototype Festival in NYC in 2015. Last season’s engagements included the title role in The Tragedy of Carmen with Opera Santa Barbara as well as a cancelled concert with the Santa Barbara Symphony. Ms. Babcock’s engagements for the 2021-2022 season include Lily; her life, his music with Marble City Opera, Mama in Why I Live at the P.O. with UrbanArias, and Verdi’s Requiem with the Reading Symphony Orchestra.